THREE:The Marquis de Paroy, a royalist, whose father, a Girondist, had just been arrested, wrote to ask for an interview, sending an illustrated petition, in the taste of the day, to the goddess of Bordeaux, with a Cupid he called a sans-culotte, &c. Having received an invitation, he went to her house, where, in the ante-rooms, crowds were waiting with petitions in their hands. Presently folding doors were thrown open and Trzia appeared, exquisitely dressed, asked for the citoyen Paroy, and invited [312] him to come into her boudoir, which was filled with the traces of her pursuits. Music was upon the open piano, a guitar lay upon a sofa, a harp stood in a corner of the room, an easel, a half-sketched-out miniature, a table covered with drawings, colours, and brushes, an embroidery frame, a writing table piled with petitions, notes, and papers. After the first greeting she said
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THREE:Next she went to Holstein with M. de Valence who left her in an old castle, with the owners of which she formed an intimate friendship, and after staying there some weeks she took rooms in a farm in the neighbourhood where she lived for a considerable time; she had with her then as companion a young girl called Jenny, to whom she was much attached, and who nursed her devotedly through an illness.
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THREE:The day the fatal news of his death arrived, the Abb stopped short and, instead of the usual prayer, began the De Profundis with a trembling voice. All joined with tears, but when, at the end of it, the old priest was going on to the other prayers, one of the congregation said aloudIt was Tallien.
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THREE:Rise, Madame! exclaimed the young pro-consul. I risk my head in this, but what does it matter? You are free.
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